My CCR

https://youtu.be/98NHhIdpyR0

Film Opening

Finally . . . I present to you, THE TEMPLATE.

Hindsight

In hindsight, this was one of the longest, most frustrating, and enjoyable projects I've ever worked on.  And it's helped me a lot with how I view life too surprisingly. So let's start at the very beginning of our adventure. 

I remember that day when I asked Vivek to come to join me in doing some location scouting; both of us were quite bored and it was a really enjoyable experience. We got to find out about a lot of quieter or even completely empty roads to film this project in. And the last scene where the actors close the trunk was actually Vivek's idea which he dropped in for me just as I dropped him at his house. From there I started developing an idea of what I wanted, but I still couldn't figure out exactly what my story was going to be for the final product. We had our group discussions in class one day and when I started receiving constructive criticism on how the scene where the actor is being interrogated, that's what really sparked my attention towards reworking the story. So once I planned out my entire story I realized that I had a much better grasp and clarity on exactly how to plan the opening. 

Eventually, I had to redo the storyboard and I created a script so that the actors could follow easily. I added my actors to a group chat about a week prior so that they would have enough time to read everything and understand their roles especially since some of them had other responsibilities as well like drone operation. Unfortunately, I sent the script a bit late so that caused a little bit of delay during our shoot. And speaking of the shoot . . . CORONAVIRUS. If I had delayed by just a few extra days this entire project would have come out extremely different because I would lose access to all my actors, the location, and Saurav's drone. However, I did lose out on the opportunity on a reshoot which is why you might notice some continuity errors in the final product.

Editing was hell. I was using a free version of Filmora so I had to go through various methods to circumvent the watermark that it automatically adds, which was not a fun process. I did have other free options available to me like Davinci Resolve and kdenlive. But I couldn't trust those apps since they've crashed plenty of times in the past due to my underpowered computer. I simply could not risk losing all my work from my computer crashing.

Filmora loves to make you try to pay for the pro version so they make life difficult for its free users. From everything to impossible to find basic text editors to limited audio and video tracks, I ran into many unnecessary delays. The app is also missing a link feature so synchronizing the audio with the video after all those J and L cuts took at least a few hours when accounting for all the lag in the software. Yes, I am aware that wevideo exists. But wevideo sucks. Anyways, before I proceeded with all the intensive editing I mentioned above, I had to color grade the clips -- which was actually quite a fun process. It was almost magical how with some adjustments the clips transformed into something that could pass for Hollywood content, at least in my eyes. Unfortunately, I didn't have the time to learn about vectorscopes and waveform monitors so I stuck with 3 basic nodes for color grading. One where I adjusted the highlights, mid tones, and shadows. One where I adjusted the saturation and contrast. And finally, one where I adjusted the colors of the highlights and mid-tones, going for a red-orange for the highlights and a teal tint for the shadows. Oh and by the way, all of this was done on Davinci Resolve which is free! It doesn't crash for color grading so that was my exception for editing on Resolve. Unfortunately, I had to render the video a few times because I used the wrong codec for rendering (DNxHR instead of h.264).

After the main editing, I took a little bit of a break as I focused on other school work. I did however come across this video which showed how to optimize Resolve for lower-end machines. After following the directions I found that I got very smooth playback even with HD footage. So I decided that I would use Resolve for adding the titles and credits. I also had to spend an hour learning GIMP so that I could create the production logo you see in the beginning of the film. And I also used a feature called blanking to add the black bars onto the video, to simulate a more cinematic aspect ratio

Although, there were some emotional struggles throughout this film which I thought might limit my potential, I realized that all these setbacks only improved the final quality of my product. And to be honest, I'm very proud of what I've produced :) And now all I have to worry about is finding a way to return that tripod and mic to that person's dad . . . #ifykyk

Media in Quarantine

Media has been helping us out in many ways recently, especially when it comes to products which help us connect with each other. In fact this very site we're using right now, Canvas, has allowed for not only the distribution of files, videos, images and print media in the form of downloadable files, but also acts as a form of electronic media as well which communicates the daily assignments and announcements for students and teachers. Outside of the academic world, media has allowed for governments to promote protective measures against COVID-19. The UK government has already begun to place advertisements in video games, e.g. a racing game which displays a banner saying "stay home!" along one of the banners. 

Actually lets talk a little bit more about video games because I feel that it has had the largest growth in attention since the spread of this global pandemic. Games like Minecraft which support online multiplayer have almost begun to replace our actual world, facilitating many social interactions within their servers internationally. In fact, one school in New York saw their students create a replica of their graduation ceremonies in Minecraft and another school has already created a virtual world in Roblox in which students will also have their graduation ceremonies. 

Social distancing may be physically separating us, but from the growing popularity in media such as software, electronic books, articles, music, etc. in nearly all aspects of society shows that we're slowly starting to shift our social interactions from the physical world into the internet. Kind of sounds like the script to Ready Player One? Very slightly? drop a like if you agree.

Ex Machina

So I decided we'd take a little break from the usual production related posts and go a little bit more on analysis this time. What really inspired me is this recent film I've watched . . .

Ex Machina (2014)

Now this isn't your typical blockbuster film. There are really only three main characters in the film and although mise en scene really adds to the whole aura of the film, what really impressed me the most was its score and the story.

The Score.

Composed by Geoff Barrow and Ben Salisbury. Now what really impresses me about a lot of great film scores isn't the complexity of the pieces. What really catches my ear is the how the piece complements the the tone and mood of the film while maintaining a subtle role. And if you really pay attention many of the sounds you hear could easily be created by someone working on their own DAW at home. I'll say it again, its not the complexity, but the simplicity that makes many of these scores great. It just takes one theme to follow and you just keep developing it until you envelope the entire story that you're trying to tell. And what Barrow and Salisbury did was a brilliant manipulation of human emotion without our awareness similar to the kind of psychological manipulation occurring to the characters in the movie itself. And to finish, bringing out that crescendo in the climax, saving it until that very moment really shows the power that restraint can build until you're ready to release that intense moment through raw power in the music.

The Story.

Now this isn't a story that's written from beginning to end. It's nonlinear, and that's what makes this movie such a brilliant piece regardless of personal opinion. Think of movies like Inception and Arrival. Now I know what you're thinking. You think I'm applauding the fact that the movie had a twist in it which related back to some detail in the beginning. Now that's partially true. But the truth is there are plenty of movies that attempt to do this, attempt to create a revolutionary plot twist by picking out some detail they delivered in the beginning of the script and using it as the foundation for the turn in the story later on. What you'll notice about these movies is that the seem to carry the same vibe as that cliche story path that you've at least heard of before. Either everything turns out to be a dream, or everything is the opposite of what you expect. Just think of productions like Stranger Things season 3 or the Fate of the Furious. The former starts off with how the Russians are interfering with everything and THEN builds on that plotline, supplementing details to support it after the fact. Same thing in the Fate of the Furious. Dominic is not who people think him to be. Except that notion has no basis on what the francise has built on the past couple of years. Instead a history is supplemented to support this change in his guiding morals. 

What allowed me to enjoy Ex Machina was the fact that the story is interlaced within itself so that there aren't obvious plotholes and twists in the plot are purposeful and are based off of existing details which were clearly foreshadowing those turns in the story when reviewing them in hindsight. A genuinely good plot twist is not completely unexpected. A good plot twist confirms the very subtle doubts that you had since the beginning of the film but distorts them ever so slightly that it leaves you with more doubts than before, but still manages to answer your initial doubt. So I encourage you to watch this movie and comment below on your thoughts. Good night folks.

DAW

Coronavirus still going strong huh? Not to worry though, music is a great way of assuaging the tension within your veins in difficult times like these. And after I finished up editing the opening, I decided it's time to start thinking about my CCR (Creative Critical Reflection). Since now I've got all this time, I've been messing around with the music side of the film world a little bit. So let's go on a little story adventure.

Story.

Back when I was in 6th grade, I went to Imagine Charter at Weston. It was a sweet little charter school that was build around what used to be an old parking lot. This school was slightly underfunded and there were many wonderful issues about that which I could discuss, but . . . I'm going to talk about something more specific. What really did intrigue me about the school was their music elective. Now this wasn't just your typical Violin III class you select on your course card. It was electronic music learning. And it was one of the best choices I've made in my life. We learned how to use a DAW (digital audio workstation) to create various types of music. And here, the school was definitely NOT lacking in resources. Each one of us had access to a MIDI controller and a school laptop in which we learned how to compile tracks together and compose our own music. We learned everything from dubstep to . . . and that's the limit of the extents of my memory.

Cakewalk is a completely free DAW offered by Bandlab and highly rated by many users. I'm still learning how to use it but hopefully I'll be able to utilize it to make some awesome scores to play throughout my CCR since I have so much time on my hands.

Finished Editing!

Hello everybody!!! Around 6 projects, 7 exports, 2 weeks and countless hours later, I've finally finished editing the opening! Well almost... I still need to add the titles and credits and I still have to work on the CCR. But regardless, I'm proud of what I've achieved. I've never spent so much effort into a film like this and to be honest it has had a wild impact on my career ambitions. I shared a draft of the video with those who helped me on this project and I got surprisingly good feedback. Ricardo called the opening "brilliant" which really lifted me a lot since I know of his film work which if you'll excuse my language for a moment is damn good, especially considering his limited resources. He was a good inspiration and a great guy to have on set and really encouraged me to aim towards creating my own fantastic work. Even during these difficult pandemic times I've found peace in pursuing this media project.
I also want to share that Filmora is a terrible editor if you're looking to create the same quality of film that I'll present to you on this blog in about a week after I complete the CCR. The editing options are quite limited and to be honest childish in some ways. Now for basic editing, I'd definitely recommend the program. But you can forget about adding more than 3 audio tracks or recording more than once voiceover. You'll also find it funny that the software doesn't have a simple "add text" option to your videos. And I know the statement I'm about to say is going to be very polarizing but here it is . . . Filmora is like an iPhone. Presets. Automation. Simplicity (in a bad way). If you want to do more advanced editing I recommend software like Lightworks, Hitfilm express, Shotcut, Davnici Resolve, etc. The only reason I used Filmora for this project was because I've been using it for a while to challenge how far I could take its simple interface and poor customizability so I'm already comfortable with working around all its annoying quirks. But now that I have the time I encourage you to join me in learning a new program even if the learning curve is steep because Filmora is hell.

yeah right.

Foley

Hello there! Most of you are probably asleep by now but I've accomplished a lot in editing this past week. I've exported edited footage over and over again until finally I have a project open with the right cuts and transitions, but still a little work on the audio needed as well as cutting the opening down to 2 minutes. Outside of the actual editing work on software, I've focused more on foley and audio this week. I had to manually add the audio of Ricardo knitting, footsteps and the tossing and opening of the bag in one of the scenes. Aside from that, there were a lot of adjustments that had to be made to the background noise so that the dialogue could be more clear. I ended up driving back to the location to record 10 minutes of the ambient noise there so I could add it back to the footage. Here's a lovely picture of some foley to leave you guys snoozing.

Editing Software

Good afternoon. Let's get straight to it. I've received a lot of questions about editing software so I decided I'd do a little post to guide you guys on where to start. Obviously I'm not an expert, but these recommendations will definitely be useful regardless of your skill level. And of course, these are my personal preferences so no need to throw away your love over software that you despise :) (Also these are listed in no particular order and all the mentioned software includes a free version)

1. Windows Movie Maker

Now many of you are probably wondering why this is even on the list, but for very simple editing this does the job. You can do simple cuts, splits and trimming and even add voiceover. I used this software to edit my stop motion film a few years back and although it is a simple editor, it can produce quality results. Also this editor is no longer supported by Microsoft so you may have to download it off a 3rd party website. So make sure you get it off a reputable site to prevent against viruses or malware. 

2. Filmora

Filmora is a more advanced video editor which offers a lot of presets for titles, filters, and transitions. Personally, this is what I've been using for my cutting, trimming, etc. because of the convenient keyboard shortcuts it offers. It's a good step up from windows movie maker but requires a payment to remove the watermark during export.

3. Davinci Resolve

Ideally, I'd be using this software a lot: it has a free version which has more than enough features to care about upgrading, offers color and vector scopes for color grading, and used my many blockbuster productions. However, given the capabilities of this software, it requires higher specs to run smoothly. So due to the constant lag I get from running it on my computer, I've only been using it for color grading.

4. Kdenlive

Kdenlive is an open source editor which offers versions for both Linux and Windows. Its installation process is slightly unusual compared to the other editors listed above but it offers many features as the softwares mentioned above. In the past I've used this software mainly for its chroma-key feature (green screen) since Filmora doesn't offer it and Davinci Resolve lags too much on my computer for it to be a practical option. Kdenlive is relatively lightweight in terms of specs but for some reason it crashed a lot on my computer, perhaps since its opensource which usually means a lot of bugs. But it's been a few years since I've used this software and there have been many updates and bug fixes so chances are you'll find this software to your tasting.

Footage

Good afternoon guys, hope you all are staying safe and sound from this intensifying pandemic known as the CORONAVIRUS! Today was quite interesting. For those of you who need a little background, we finished shooting last week and now I've entered the editing process which has been a bit frustrating to be honest. The main issue was the footage itself because we used three cameras: Deven's Canon 60D (I think?), My Canon Rebel T3i, and the camera on Saurav's DJI Mavic Pro 2. What does this mean? Three storage devices (e.g. SD cards). After the shoot I set up a google drive account dedicated to the film so that I could better organize all the clips. I had folders set up for each person and I gave the account details in the groupchat so that everyone could access the drive account to upload their videos. Unfortunately, Saurav's footage was in 4k quality and since everyone's now working from home and using up the internet bandwith, he was unable to upload the videos. Same issue with Deven.

Now what do we do when the internet fails to meet our needs? We go old school. Last evening, my brother asked me whether I wanted to go biking. And luckily, I already knew of this footage issue prior to him asking. As the sun neared the horizon, we set off towards Deven's house, on a dangerous journey to obtain the videos. In the sack fastened across my shoulder, was a small USB stick inside the zippered pouch. We zoomed through sidewalk, grass, water, blood, and tears until we finally reached our destination and . . . Voila! We reached Deven's crib! In about 20 minutes he was done copying the data from his SD card onto my USB and we biked back home and called it a day.

Today was quite similar except I used a vehicle to reach Saurav's house. He gave me the microSD in an envelope (coronavirus precautions) and we recorded his voiceover inside the car with the mic so that his voice would be more clear. And that's all for today folks! Time to work on editing!!

Saurav's drone footage

The script part 2

So I realized that I didn't actually attach the script in my last post . . . oops. SO here's our script!
https://drive.google.com/open?id=1Syu3ovyKnVWxZD1TL52LG70MTPsuyhfO

With that out of the way, time for a little reflection! First off, yes we did run into problems. Saurav Dalvi, our drone operator had an eye appointment earlier in the day that we filmed. And they dilated his eyes so that was definitely an issue. But he impressed me when he still said he's coming to the shoot because it's hard to find someone with that much dedication these days, especially when they're not getting paid for it. We ended up having Gian do one of the drone shots manually from outside the car while Saurav drove the vehicle . . . wait . . . Nevermind! Saurav's eyes were NOT dilated! April fools! He was in perfect condition to drive the vehicle :) Moving on!

(Above: some behind the scenes footage)

Other problems and tips and tricks

Halfway through the shoot, we realized we had to pace things up. Since I chose to film during "golden hour" or shortly before sunset, we were quite short on time. I had to skip the shot with Ricardo in the car temporarily because I knew that would be easy to fix in post or to reshoot in case we ran out of light. Initially, I was planning on shooting the conversation scene twice: one for each set of characters. And then I would finish off with a final sweep of close-ups, long shots, and inserts of both characters. Unfortunately, because of the time constraints, we didn't have the ability to go through the scene three times. So instead, I set up Deven's camera to point towards him and Saurav while my camera was set towards Ricardo and Gian. This way we were able to obtain footage of both angles during one take. And we ended up losing the bag Gian throws so we couldn't take a close-up shot of that. But besides all of the problems above, the shoot went pretty smoothly, and Deven got to lie down in the trunk while the car was moving so we could get that awesome tracking shot of Ben skateboarding. I still have a lot of work left on the opening but until next time, Ciao!

The script!

Good night y'all!!! So today's actually been a very exciting day. I rounded up a team to shoot the opening and we filmed it today. I settled on this unused road just off of US 27 for the location as you can see below.

Recreation road branches off of 27 to the left

Most of the crew wasn't really familiar with the rest of them so while initially there was some hesitation in communication between them, but they broke the ice when they got to explore each other's tasks and began appreciating the diverse strengths and abilities each of them had. Now I know you're just begging to meet the crew so here they are.

Ricardo Martiarena - our main actor

Deven Mistry - cameraman

Saurav Dalvi - drone operator (drone not pictured)

Ben Ruddy - friendly neighborhood skateboarder

Gian Luca (right) - our vehicle operator
(and assistant drone operator since Saurav was partially blind from his dilation)

And of course the guy in the blue shirt is . . . me!

Me - The Director

Now quite frankly, I'm tired after today's long shoot. So I'll be back soon with the details on how it went. Signing off!

Storyboard

So . . . I redid the storyboard! Now I know what you're thinking, why didn't I start off with my usual good morning/good evening? Honestly, there isn't any reason at all. Good evening! And here is my storyboard. Enjoy!

You'll notice that the first part is missing. That's the piano scene. I already filmed it this morning before I finished the storyboard! 

Synopsis

So today we're going to go over the entire storyline because an opening without an understanding of what you're opening to isn't a really good opening. I haven't finalized on names yet so we'll just use the names of actors for now. First of all, I think I'll go with the first option from the previous post about Garrido's entry. He's an aging cartel don and he's starting to lose interest in the type of business his cartel runs. He starts to realize the simple joys of life bring much more happiness than the acute thrills of constantly escaping the cops and shootouts with rival gangs. His subordinates start to notice this difference in him but ultimately understand that Garrido still holds much power so they fear to dissent against him.
Now, enter Ben Ruddy. He's a teenage skateboarder trying to live in the nostalgic era. He carries his music on an IC recorder and listens to his music through headphones. He's skateboarding peacefully when he runs into Garrido's cartel having a tense negotiation with some amateur local peddlers. Now we start to question who Ruddy actually is because he's starting to set up equipment that a typical skateboarder doesn't just carry around. And he's sneaking up on the men, careful not to blow his cover, and recording their conversation. But then he gets caught by someone who was out back taking a piss and returning to the area of negotiations.
Later Ben is brought before Garrido so the cartel can decide what to do with him. But given Garrido's declining interest in the business, Garrido's actions start to confuse his workers when he actually decides to take Ben in to join him as part of his gang. The two start hanging out with each other more and more and the gang members start to become more and more annoyed. Issues definitely persist between them and some members start to notice Ben's actions and his sly surveillance of their entire operations, but those who gain too much knowledge strangely disappear soon (Ben takes them out). F
Now there are some minor plot points in between . . . but here's the final twist: BEN WORKS FOR GARRIDO. Garrido hired him to take out some of the black sheep in his cartel because he started noticing that more and more of his product was either lost in transportation or never reported to him after delivery. But you thought that was it?? Yeah that's it. The two have a final scene together where they both sweep up the gang of all the black sheep and spies together!

Stuffed Mushrooms!

Good evening my hungry caballeros! If you're looking for some tasty food, look no further because here I present to you . . .

Stuffed Mushrooms

stuffed mushrooms . . . made by me!
(yes I know they're not stuffed, this
was before I added the stuffing and
  baked them. And I was too hungry
about taking a picture afterward)

Updates

Recently I've been brainstorming some new ideas for my film. I'm definitely going to have to redo the storyboard before filming this week and I'm planning on decreasing the number of actors so the production is easier to manage. I still haven't gotten an angry message from my ex or her dad about returning his tripod and mic so, in terms of equipment, we haven't run into many issues :) As of right now this is what I have in mind for the intro. A nice dinner scene with Juan Garrido (my actor) eating something. Or maybe he's waking up after a "fun" night with a prostitute who's snoring on top of him. I actually like the second idea much better but I have a feeling it's going to be a bit difficult finding a prostitute or someone willing to lay on top of a guy knowing that's what her role is. And I'm sure there'll be some criticism mishandling the representation of woman but I have a good feeling its going to be a lot easier to find a woman willing to lay on top of him rather than under and get crushed by Garrido's muscular body. Fast forward a bit and we find him face to face with Ben Ruddy (my other actor). Why is he here? Find out in the full synopsis next time! Goodnight y'all.

Color Grading

Good morning my creative pupils! Today we're going to enrich you all with some tips on . . . COLOR GRADING.

What is color grading?

Color grading is the process of adjusting the tones and colors of film to create a certain mood and atmosphere for your production. Nearly every professional film utilizes color grading to control the levels of highlights, shadows, and other features and especially since it has become so affordable and accessible recently with software like Davinci Resolve and Adobe Premiere.

The Process

First off, you want to check the technology with which you're shooting. If you're like me, you're using a DSLR (a Canon Rebel T3i in my situation). Typically these cameras are already programmed for the beginner user, a middle-aged, middle-income Indian father who wants to show off his big camera to his friends, regardless of the lacking experience he has with cameras. So the camera is already preset to have a higher sharpness and contrast to produce ready to go videos without necessary color correction or color grading. Unfortunately, if you're trying to produce a more professional film, these presets sacrifice the detail in the footage to create sharper film. Instead, what we're going to need to do is to select a neutral or flat preset. Or if you're feeling a bit more extreme, shoot in RAW. The result is shots which do a better job of preserving the original detail, but absolutely require color grading and color correction unless you want extremely washed-out footage.

Before and after color grading (The Martian 2015)

Color Grading

Now the actual process of color grading is an extensive process that is often the responsibility of entire studios for blockbuster productions and is a crucial step that should not be overlooked. The actual process can take hours depending on the level of detail in establishing a certain mood that the filmmaker wants. So we'll just go over the overall process briefly. In short, there are a few elements you want to consider.

1. The highlights and shadows - typically many mainstream productions go for the orange and blue color scape with shadows carrying a blue tint and highlights carrying an orange tint

2. The contrast, LUTS, and RGB levels - In post-production, a variety of tools are used to correct the footage and bring back the color lost while shooting with a neutral camera preset. LUTS allow for a film to carry a consistent look throughout its entirety and often use algorithms to automatically adjust levels. The contrast is often something that is changed in post-production as well since shooting in neutral means the footage has almost no contrast. RGB levels allow for better management of skin tones and can help bring warmth or coolness to your film.

3. Vectorscopes and Colorscopes - Unless you have an extremely large budget, chances are you're not going to be focusing your budget on post-production software. So unless you're already a professional PC gamer, your monitor (if you even have one separate from your laptop) is likely not to have a great color range. This means the footage you see on the monitor is likely to be altered slightly and may appear different if you plan on presenting your film on a different device and especially a theater. Colorscopes and vectorscopes provided by software like Davinci Resolve provide graphs and analytics for you to understand the color range of your footage graphically rather than subjectively through superficial visual analysis. Learning how to use these color scopes can give you much more control with how your film actually turns out and a more accurate interpretation of the color range.

Color and vector scopes in Davinci Resolve

Confusion

So it's been a really rough week. Or actually more like a rough two weeks. I don't really want to get into details but I have to give back the tripod and mic. And I don't know how or when or whether I should return them right now or after the film. I think you guys can figure the rest from that. Oh! I almost forgot! Good evening to all my beautiful and handsome readers! How could I forget to greet you all, how bloody foolish of me, good jolly tea.

Progress

Not much. I'll be perfectly honest I've been in emotional turmoil the last two weeks but you know what I made the most of it! There may not be much tangible progress, but I have a much better idea of how my project is going to pan out. And through some reflection, I came across a few realizations. One is that I'll most definitely have to change the location. The leading lines that I described when going location scouting definitely would have added a nice touch to the film but I've found a different location right next to me. And considering the limited time on hand, a smaller distance from home means more time and money saved. And it would be much easier to gather the actors. Another realization I made is that I want to incorporate a lot more closeups in my opening and allow for narration by the golden voice in our class, Juan Garrido. So that means I have to redo my storyboard and my script. As of right now, the little spark essential for my motivation is a bit numb, especially amidst the depressing news coverage of the coronavirus, but I have confidence that helping Andres and Alfredo on their films will bring back that inspiration for me.

An ND filter

I did do some research on ND filters the past week. In the video below you'll see that the video of the car is slightly overexposed, or rather was overexposed until I increased my f-stop, sacrificing a shallow depth-of-field for a correctly exposed shot. However, if I wanted to maintain that same DOF, I could purchase an ND filter that clips on to the lens of the camera and acts as sunglasses for it. It reduces the glare of the sunlight and makes outdoor shooting much more easier.

The great film opening . . .

To me, a great film opening doesn't spoonfeed information to the audience. It slowly draws them in generating a sense of pull through character development, vibrant mise en scene, fluid camera technique, or symbolic composition. Of the film openings shown last class, my favorite one was the one from Scream. While the opening does not use have an extreme artistic appeal to the frame composition and camera movement initially, it transforms the plot into one that viewers don't expect—from the casual hot girl popcorn flick to one where that same actor is at the height of her fears.

The intro scene that Scream presents does quite a few things well. One is the establishment of the characters on a screen through the repetitive phone call. Although the woman repeatedly tries to shake off the caller, she eventually gives in to him, showing that even the most stubborn could succumb to his charisma. The gradually diminished lighting also establishes the tone of the piece, allowing the viewers to register the transition from the film's jovial start to the tense scenario it soon brings. And of course, the film doesn't show the man calling leaving wonder in the audience as to who and what this man's intentions are.